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Updated: Sep 16, 2020





Having recently completed my final year research project at University, which I surrounded around the topic of fast fashion, I have become far more aware of the importance of implementing sustainability within the apparel industry. Not only are the environmental effects widely recognised as vast and common cost associated with fast fashion, the social costs and effects on a brand’s value chain should be of equal concern to those both producing and consuming the industry’s products.



Many high-street brands have caught on to the 'fast fashion' movement, unsurprisingly, due to its ability to allow for quicker lead times and lower costs. In a nutshell, this allows consumers to expect something new each time they either walk into a store or browse online.

Zara are a prime example of fortnightly releases of new collections and lines in order to serve numerous styles and occasions, whilst aiming to provide an element of durability. Interestingly, during the course of writing my dissertation, I found that this extreme production and subsequent impact on both environmental and social dimensions of sustainability, has in fact led to them being rated an 'A+' grade in regards to their sustainability adherence.





The issue lies in the fact that acting sustainably is not a requirement, but rather voluntary for apparel brands.


Other than the financial benefits reaped from complying to corporate social responsibility and thus gaining from positive word of mouth, many brands avoid the implementation of sustainable measures due to the costs associated (such as the considerable price increase in durable and recyclable materials).






We can't expect to see all high street brands obliging to these industry-wide standards, despite the worldwide advocacy for the movement and the growth of recognition of the issue during recent years.


So, what can we, as the consumer, do to play our part?




A number of sustainable start-ups have made efforts to contribute to the sustainable fashion movement, however one stand-out online rental business 'By Rotation' have revolutionised this innovative space. I recently discovered this start-up on Instagram through iconic fashion duo Olivia and Alice, where not only did I see one of my favourite bag style and designer, but soon noticed it was rented for only £10! I soon realised this was the new big thing - move aside Depop.


@byrotationofficial

@oliviaandalice



Not only does this app allow you to style your favourite brands at an incredibly reasonable price, you're able to experiment and discover new items without breaking the bank! Win win! Solutions like this really are changing the face of the fashion industry.









It's extremely easy to look past the pair of jeans you've had for a number of years and choose instead to refresh your look with a 'trendier' pair. However, it is beneficial not only for your bank account but also the sustainability movement to look past the sense of 'boredom' that may be affiliated with an item you own, and instead find new ways for its use.


It is easier said than done, however it is also a great way to tap into your creativity. A really replicable example is simply cutting a pair of old jeans into shorts for the warmer seasons.


In light of the current worldwide COVID-19 pandemic, I have found myself becoming more attuned to my personal style. This has been hugely benefitted by the additional time many of us have been given during this period, therefore I have taken an extra step to 'rework' and 'repurpose' some of my unworn clothes and adapt them in a way which is more in tune with my current tastes.  Not only do I find this a great use of my time, but I no longer feel like I am wasting perfectly good clothes!







It is too big of an expectation for consumers to only purchase from expensive and 100% sustainably sourced brands, as this is simply not the reality for the 'everyday consumer' in an effort to reduce their impact within the realm of fast fashion.


Small, conscious choices such as not buying ten £5 tops that will be worn for 2020's Spring season and never again, but rather a couple of higher priced, more durable tops are big steps we as consumers can take to moving away from the commonality in the industry being environmental and supply chain exploitation.




Links to some articles and websites I found insightful during the writing of my dissertation:
















 
 
 
  • Writer: Lucy Woodley
    Lucy Woodley
  • Mar 11, 2020
  • 3 min read

Updated: Jul 6, 2020



Hailey Bieber is my biggest style muse; her wardrobe resonates both feminine yet relaxed silhouettes with masculine elements, being a style in which I try to recreate in my own way.


The evolution of her fashion has only become more and more representative of her as a woman, and now wife to Justin Bieber, over the years.









2014



Many would affiliate Hailey with having a simplistic, wearable style. This appears to have always been the case (as seen on the left in 2014 wearing all black), however her increased exposure and popularity as a model and ambassador for numerous brands has subsequently led to more unique and personable outfits.


Having said this and noticing an evolution in her style, Hailey still features many basics in her wardrobe today.






2015







Hailey's appearance at the premiere of "Dior & I" featured a feminine baby pink silk Dior sleeveless blazer dress.


This event was one of the first to demonstrate her tendency to showcase more feminine silhouettes.












2016







Similarly to 2015, the following year also represented Hailey’s more ‘safe’, feminine style which many other celebrities and models were also comfortable with. Hailey is styling a red Tommy Hilfiger dress here (left).













Equally, Hailey was seen at Paris Fashion Week styling a confident over-sized neutral look by Isabel Marant, one of which is familiar with her style today.


2016 could be considered a pivotal year for Hailey in terms of becoming more experimental and true to her taste.











2017






One of Hailey's most iconic and recognised styles is her variation of suitwear and blazers with the integration of a feminine/relaxed element.


She has stated numerous times in interviews (such as with Vogue) that an oversized blazer is a key piece in her wardrobe. The oversized blazer trend appeared in 2019, whereby Hailey was a key muse in the fashion industry during this time and gained traction among younger women in the industry.






2018





Hailey's relationship with Justin Bieber was heavily in the public eye in 2018, and their relationship was highly admired. Justin's eccentric style supposedly influenced hers, perhaps allowing her to dress true to her personality and individual style.






2019



Some of my favourite looks of hers were during this time, where I feel she became a key trendsetter across social media and the industry.







Hailey has been very vocal about the influence of the 90s on her style choices; this has become more and more clear over the years and especially during 2019.


The left picture is just one of many of her showcasing the 'staple' oversized blazer.










Hailey has been seen numerous times styling a 'no pants' look, however as a response to the question whether she really is, she revealed in an interview she is in fact wearing shorts, however prefers the look of the space between her top half paired with high-knee boots.









This particular silhouette is a perfect demonstration of Hailey's iconic effortless cohesion between style and comfort. The styling of a luxurious silk two-piece with a, once again, 90s-inspired Louis Vuitton bum bag and white flats is trendy and new, yet retro-inspired.









2020




This is one of Hailey's most recent looks, styling the extremely in-demand Bottega Veneta chain pouch. Again, we can see the short skirt and high-knee boots being styled together as well as this green blazer variation.


Hailey has an extremely distinctive style, one in which many identify with due to its wearability yet unique nature, making her not only mine but many other's style muse.






 
 
 
  • Writer: Lucy Woodley
    Lucy Woodley
  • Mar 3, 2020
  • 3 min read

Updated: Jul 6, 2020


Bags are undoubtedly my favourite accessory, fashion statement and investment. From the lust that comes with an Hermes Birkin to the excitement in the range of style possibilities is endless. Bags are recognised as more than accessories - they are milestones in careers and personal goals, and the ultimate form of 'treating yourself' to many women.






the mini bag



Jacquemus has formed its relatively recent relationship it has with the fashion world as a result of its innovative, trendy introduction of the famous mini bag: 'Le Chiquito' and 'Le Mini Chiquito'.


Since taking AW19 Paris fashion week by storm, the range has been a huge success and led to the development of further ranges going into 2020.




Many high street brands have replicated the mini bag as a result of its popularity with the designer brand. Despite the height of its recognition as a new trend in 2018/19, it continues to be a staple accessory to looks this year.


Having said this, industry professionals anticipate this may be the last season we see micro bags take the streets due to the lack of appearance in February's fashion month.







shopper


Shopper bags embody large, eye-catching details whilst maintaining an element of practicality. Both style and substance are of importance when considering the design of a shopper. Recent trends anticipate the come back of the shopper, especially going into the summer months.


Fendi's recent release of this 'Sunshine Shopper' (above) demonstrates extravagance through the 70's inspired colour-way, as well as the integration of fur and floral pattern.







The infamous Dior book tote has been seen styled by an influx of celebrities and influencers, anticipating the return of this classic style.















tweed



After having taken a trip to the Scottish highlands in the 1920s, Coco Chanel began integrating tweed into collections. This era is representative of the introduction of this iconic fabric among clothing and accessories, and how this has become an integral element in the House of Chanel.


(Above: New in collection Classic handbag in tweed and gold metal)





Fashion month has seen the re-introduction of tweed among numerous designers as well as Chanel. (Left: Louis Vuitton SS20 show)


Whilst encompassing elements of British heritage and tradition, tweed demonstrates class and sophistication especially when interpreted into suits (an iconic Chanel inspired look).










nylon





Since first appearing on the fashion scene in the early 2000s, nylon has recently reappeared in collections. The fabric is durable and practical, whilst remaining stylish and depicting simplicity.


The Dior re-edition (2005) bag (right) has been of particular popularity especially amongst the world of Instagram and fashion bloggers.





The bag can we worn a number of ways, and retails in several of colours; the adjustable strap has been styled as a belt and the chain is interchangeable. This specific bag is in great demand and most luxury fashion retailers are sold out.


However, industry professionals predict this is simply just a trend and perhaps even ‘fad’ due to its vast popularity and subsequent more ‘affordable’ replicates.







baguette




Another rendition of the early 2000s style is the baguette bag.


Fendi have a vast range of baguette bags, originating from their introduction in 1996 by Silvia Venturini Fendi, the creator of the ‘it-bag’. This era was seen as ‘minimalist’ for bags, dominated by the aforementioned nylon Prada bags.






Silvia wanted to create a small bag with small straps, ideal for over-the-shoulder, under-the-arm wear. This initially gained criticism due to being ‘too small’, however women adored the bag as it was the first seen design to be close to the heart, creating a connection between the bag and the wearer.








As a result of the success of the baguette, LVMH group took ownership of the brand and more contemporary versions have surfaced.










 
 
 
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